thirteenth$83054$ - translation to ελληνικό
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thirteenth$83054$ - translation to ελληνικό

MUSICAL INTERVAL
Thirteenth chord; 13th; Dominant thirteenth chord; Minor thirteenth chord; Minor thirteenth; Major thirteenth; Dominant thirteenth; Thirteenth (chord); 13sus; Chopin chord; 13th chord
  • Thirteenth chords and major thirteenth chords with sheet music.
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  • Compound interval of a major thirteenth from F to D in the next octave up
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  • Play}}). Eventually seven chords along a [[ladder of thirds]].
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  • play}}. The [[upper structure]] or extensions, i.e. notes beyond the seventh, in red.

thirteenth      
n. δέκατος τρίτος
christmas bonus         
ITALIAN LEGAL REQUIREMENT TO PAY WORKERS AN ADDITIONAL SALARY AT THE END OF THE CALENDAR YEAR
Thirteenth month pay; Thirteenth-month pay; Christmas Bonus; Christmas bonus; 13th salary; 13th month pay; Aguinaldo; End-of-year bonus
δώρο των χριστούγεννων

Ορισμός

thirteenth
Frequency: The word is one of the 1500 most common words in English.
The thirteenth item in a series is the one that you count as number thirteen.
ORD

Βικιπαίδεια

Thirteenth

In music or music theory, a thirteenth is the note thirteen scale degrees from the root of a chord and also the interval between the root and the thirteenth. The interval can be also described as a compound sixth, spanning an octave plus a sixth. The thirteenth is most commonly major Play  or minor Play .

A thirteenth chord is the stacking of six (major or minor) thirds, the last being above the 11th of an eleventh chord. Thus a thirteenth chord is a tertian (built from thirds) chord containing the interval of a thirteenth, and is an extended chord if it includes the ninth and/or the eleventh. "The jazzy thirteenth is a very versatile chord and is used in many genres." Since 13th chords tend to become unclear or confused with other chords when inverted, they are generally found in root position. For example, depending on voicing, a major triad with an added major sixth is usually called a sixth chord Play , because the sixth serves as a substitution for the major seventh, thus considered a chord tone in such context.

However, Walter Piston, writing in 1952, considered that, "a true thirteenth chord, arrived at by superposition of thirds, is a rare phenomenon even in 20th-century music." This may be due to four-part writing, instrument limitations, and voice leading and stylistic considerations. For example, "to make the chord more playable [on guitar], thirteenth chords often omit the fifth and the ninth."